Rose Wylie

100% Cashmere Blanket


Rose Wylie
100% cashmere limited edition blanket, 2019
Made in Scotland
150 x 130 cm
Edition of 75 

Sales from this edition raise funds for The Studio Voltaire Capital Project.

Please note. Blankets are made to order and therefore non-refundable. Please contact us if you require a blanket by a specific date. 

Available for immediate dispatch 


£1,500.00 GBP



If you have a question about this piece of work, please get in touch.

About the edition

A 100% superfine Cashmere wool blanket in a Jacquard knit technique by artist Rose Wylie. This double-sided knitting style achieves a design rich finish. The front face of the blanket showcases the artist’s design, whilst a birdseye pattern, driven by the knitting style is achieved on the underside. The blanket has a noticeably soft handle and luxurious heavyweight feel.

About the artist

British artist Rose Wylie (b. 1934) creates paintings and drawings that on first glance appear aesthetically simplistic, not seeming to align with any recognizable style or movement, but on closer inspection, are revealed to be wittily observed and subtly sophisticated meditations on the nature of visual representation itself. The layers of newspaper that line her studio floor are a frequent source of material for the artist, as she encounters images by chance while working.

Drawing from such wide-ranging cultural areas as film, fashion photography, literature, mythology, news images, sports, and individuals she meets in her day-to-day life, Wylie paints colourful and exuberant compositions that are uniquely recognisable. These works make use of an idiosyncratic visual lexicon, the directness of cartoonish figures, and a flattened perspective, while simultaneously betraying a deep awareness of art history and painterly conventions.

Recent exhibitions include: Painting a noun, David Zwirner, Hong Kong (2020); Clothes I Wore, Choi&Lager Gallery, Seoul (2020); Centro de Arte Contemporáneo de Málaga (2018); Plymouth Arts Centre and The Gallery at Plymouth College of Art, England (2018); Serpentine Sackler Gallery, London (2017); Turner Contemporary, Margate (2016); Chapter, Cardiff (2016); Space K, Seoul (2016); Douglas Hyde Gallery, Dublin (2015); Städtische Galerie Wolfsburg, Germany (2014); Haugar Vestfold Kunstmuseum, Tønsberg, Norway (2013); Tate Britain, London (2013); Jerwood Gallery, Hastings, England (2012).

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