Cerith Wyn Evan

Automatic Ink Drawing, Kyoto (2011), 2008


Cerith Wyn Evans
Automatic Ink Drawing, Kyoto (2011), 2008
Silkscreen print on paper with unique cut out
59.5 cx 42cm
Edition 37/50
Signed and numbered by the artist

£350.00 GBP



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About the edition

We have released a very special selection of previously sold out editions from the House of Voltaire archive. With exclusive works from a number of international artists, this is the very final time that these editions will be available to purchase. Studio Voltaire is a registered arts and education charity with all sales directly supporting our exhibition, learning and studio programmes.

This edition has been collected by Tate Collection and New Art Gallery Walsall

About the artist

Cerith Wyn Evan’s conceptual practice explores the way that ideas can be communicated through form, incorporating a diverse range of media including installation, sculpture, photography, film and text. He began his career as a filmmaker producing short, experimental films and collaborative works, but since the 1990s has created artworks that deal with language and perception, focusing with precise clarity on their manifestation in space. Wyn Evans employs strategies of exhibition making that are often site-specific, viewing exhibitions as a catalyst to produce a reservoir of possible meanings and discursive experiences.

Cerith Wyn Evans was born in 1958 in Wales and lives and works in London. He has exhibited extensively including solo exhibitions at Aspen Art Museum (2021), Museo Tamayo, Mexico City (2018); Duveen Galleries Tate Britain, London (2017); Museion, Bolzano, Italy (2015); The Serpentine Gallery, London (2014); TBA-21 Augarten, Vienna (2013); Bergen Kunsthall, Norway (2011); Tramway, Glasgow (2009); Inverleith House, Edinburgh (2009); Museo de Arte Contemporáneo de Castilla y León, Spain (2008); Musée d’art moderne de la ville de Paris (2006); and Kunsthaus Graz, Austria (2005). He has participated in the 57th Venice Biennale (2017); 4th Moscow Biennale (2011); 12th Venice Biennale of Architecture (2010); 1st Aichi Triennale, Japan (2010); 3rd Yokohama Triennale, Japan (2008); 9th Istanbul Biennial (2005); and 50th Venice Biennale (2003). In 2018 Wyn Evans won the Hepworth Wakefield Prize for Sculpture with his monumental work ‘Composition for 37 Flutes’, 2018. 

The artist is represented by White Cube

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