Digital print on Hahnemühle Photo Rag
Edition of 3 + 2 APs
60 x 45 cm
Signed and numbered by the artist
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About the artist
Artist Thea Djordjadze (born 1971, Tbilisi, Georgia) is best known for her sculptures and installations, which are often suggestive of a space of feminine domesticity, apparent in this work with the use of a perfume bottle. Her work is characterized by tensions between materials and forms. Djordjadze's materials are worked fast and arranged intuitively, with an eye for colour, texture and lines. Recent exhibitions include One Is So Public, And The Other, So Private. Kunstmuseum Winterthur, Switzerland (2019); If I Were An Early Person, Sprüth Magers Los Angeles (2019); Portikus, Frankfurt (2018); Pinakothek Der Moderne, Staatliche Graphische Sammlung, München (2018); To Be In An Upright Position On The Feet, Secession Wien, Vienna (2016); Listening The Pressure That Surrounds You, Sprüth Magers, Berlin (2016); Moma Ps1 (2016). She has exhibited extensively internationally, including at Documenta 13 in 2012 and the Venice Biennale 2015.
Djordjadze is represented by Sprüth Magers, London.
Studio Voltaire has been supporting artists for over twenty years, through our renowned programme of exhibitions, performances, events and education projects as well as providing affordable studios.
We have gained a reputation for championing both emerging and underrepresented artistic practices, often at key stage in the artist’s career. These have included Marvin Gaye Chetwynd, Phyllida Barlow, Ruth Ewan, Elizabeth Price, Jo Spence, Joanne Tatham & Tom O’Sullivan, Richard Slee and Cathy Wilkes.
The gallery also provides an important UK platform for international artists, often providing them their first-ever presentation in the UK. These have included Nairy Baghramian, Thea Djordjadze, Nicole Eisenman, Judith Hopf, Paulina Olowska and Henrik Olesen.