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65.5 x 44.5cm
Edition of 30
Number 1 of 30
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About the Edition
We have released a very special selection of previously sold out editions from the House of Voltaire archive. With exclusive works from a number of international artists, this is the very final time that these editions will be available to purchase. Studio Voltaire is a registered arts and education charity with all sales directly supporting our exhibition, learning and studio programmes.
About the artist
Sanya Kantarovsky is known for his work across a variety of mediums, as well as his texts and curatorial projects. His multifaceted approach often results in artworks that seem forced to reckon with their own embarrassment. The dark humor consistent in Kantarovsky’s work pits the sumptuous against the abject and thrusts private space – be it physical or psychological – into public view. Kantarovsky’s most well known body of work, his figurative paintings, contains drastic shifts in scale, paint application and stylization. Evoking the feeling of an uneasy inner monologue, figures are gawked at, exposed, poked, or spooned medicine. They interact with one another, as well as the edges of the canvas itself, testing the confines of their given bodies and their given frame. Similarly, Kantarovsky probes his art historical predecessors: both canonical and relatively unknown painters, writers and illustrators. The presence of these muses, which dot Kantarovsky’s compositions simultaneously questions and indulges in a lineage of painterly impulses.
Sanya Kantarovsky (b. 1982) and currently lives and works in New York. He studied painting at the Rhode Island School of Design in Providence, RI and received his MFA at the University of California, Los Angeles. Kantarovsky recently presented solo exhibitions at Taka Ishii Gallery, Tokyo, Japan (2020); On Them, Luhring Augustine, New York, NY (2019); Disease of the Eyes, Kunsthalle Basel in Switzerland (2018) and the Fondazione Sandretto Re Rebaudengo in Turin, Italy (2017-2018). Recent group exhibitions include Radical Figures at Whitechapel Gallery, London; Baltic Triennial 13 GIVE UP THE GHOS; The Arcades: Contemporary Art and Walter Benjamin at the Jewish Museum, New York; The Eccentrics at Sculpture Center, New York; and his curatorial project Sputterances at Metro Pictures, New York. Other important presentations include Happy Soul at LAXART in Los Angeles; You are Not an Evening at Gesellschaft für Aktuelle Kunst in Bremen; What Were You Expecting, Mr. Milquetoast, a Plot? at Badischer Kunstverein in Karlsruhe; and Apricot Juice, with Ieva Misčeviūtė, at Studio Voltaire in London.
Kantarovsky’s works belong to several prestigious museum collections, including the Hirshhorn Museum and Sculpture Garden, Washington D.C.; the Institute of Contemporary Art/Boston; the Hammer Museum, Los Angeles; Los Angeles County Museum of Art, Los Angeles; Tate Modern, London; and the Whitney Museum of American Art, New York A comprehensive monograph entitled No Joke was co-published by Studio Voltaire and Koenig Books in 2016.
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