House of Voltaire's online store remains open!
The safety of our staff, couriers and supporters remain our primary concern. As a result, delivery and fulfilment times may take longer than normal.
We are currently able to offer delivery via courier to most national and international locations. We will shortly resume delivery via Royal Mail, however there might be a slight delay in fulfilling these orders. We are currently not able to offer collection in person. You can still select this option and we will be in touch when these services resume in the near future. If you have any questions or need something by a particular date, please contact us by email.
All sales directly support Studio Voltaire's artistic and public programmes.
Collaged paper with charcoal, watercolour, and gouache
56 x 42 cm
Price on request
If you have a question about this piece of work, please get in touch.
About the artist
Mary Reid Kelley, in collaboration with her partner, Patrick Kelley, combines painting, performance, and a distinctive wordplay-rich poetry in her polemical, graphically stylized videos. Performing as a First World War soldier, a grisette in revolutionary Paris, or the Minotaur, she resurrects characters that embody particular facets of ideas in time. Her historically specific tableaux enclose dilemmas of mortality, sex, and estrangement, navigated by the characters in punning dialogue that traps them between tragic and comic meanings.
Mary Reid Kelley was born in 1979 in Greenville, South Carolina USA. Reid Kelley received her BFA from St. Olaf College, Minnesota, and an MFA in Painting from Yale University in 2009. In 2013 the Institute of Contemporary Art/Boston held the first solo museum exhibition of Reid Kelley’s work.
Recent solo exhibitions include: Rand/Goop, Studio Voltaire (2019); Susanne Vielmetter Los Angeles Projects, America Rides the Breakfast Table, Los Angeles, CA (2018); Butler Gallery, The Castle, I Smelled A Raw Recruit: The World War Films of Mary Reid Kelley and Patrick Kelley, Kilkenny, Ireland (2018); Mary Reid Kelley and Patrick Kelley: We Are Ghosts, Baltimore Museum of Art, MD (2018); Mary Reid Kelley and Patrick Kelley – We Are Ghosts, Tate Liverpool, Liverpool (2017); Mary Reid Kelley, MUDAM, Luxembourg (2017); We’re Wallowing Here In Your Disco Tent, The High Line, New York (2016); Mary Reid Kelley, M – Museum Leuven, Leuven (2016); A Marquee Piece of Sod – The WWI Films of Mary Reid Kelley, Kunsthalle Bremen, Bremen (2016); The Thong of Dionysus, Fredericks & Freiser, New York (2015); Hammer Projects: Mary Reid Kelley, The Hammer Museum, Los Angeles (2015); Mary Reid Kelley, Multimedia Art Museum, Moscow (2015); Mary Reid Kelley, Site, Santa Fe (2015); Swinburne’s Pasiphae, Pilar Corrias, London (2014); Mary Reid Kelley: Working Objects and Videos, Samuel Dorsky Museum of Art, New Paltz; University Art Museum, University at Albany, New York (2014); The Syphilis of Sisyphus: Mary Reid Kelley with Patrick Kelley, AMOA Arthouse, Austin (2013). Recent group exhibitions include: Life a User’s Manual, Encounters Contemporary Art Biennale, Timisoara and Arad (2017); Commercial Break, Public Art Fund, New York (2017); The Arcades: Contemporary Art and Walter Benjamin, The Jewish Museum, New York (2017); Objects Do Things, Centre for Contemporary Art Ujazdowski Castle, Warsaw (2016); Mixtape 2016, Pilar Corrias Gallery, London (2016); The Beast and the Sovereign, MACBA Museu d’Art Contemporani de Barcelona, Barcelona; Württembergischer Kunstverein Stuttgart (2015); Pratfall Tramps, Atlanta Contemporary Art Center, Atlanta (2015); Who’s Speaking?, Klemms Gallery, Berlin (2015); Mary Reid Kelley and Maria Lassnig, Rose Art Museum, Massachusetts (2014); Through the Eyes of Texas: Masterworks from the Alumni Collections, Blanton Museum of Art, University of Texas, Austin (2013); Re-generation, MACRO, Rome (2012); Weighted Words, Zabludowicz Collection, London (2012).
Reid Kelley has been awarded the MacArthur Felloship (2016); the Baloise Art Prize (2016); Guggenheim Memorial Fellowship (2014); Louis Comfort Tiffany Foundation Grant (2013); The Shifting Foundation Grant (2012); Joseph H. Hazen Rome Prize, American Academy in Rome (2011); the Rema Hort Mann Foundation Grant (2009); and a CAA Visual Arts Fellowship (2008). Reid Kelley’s work is held in public collections including the Whitney Museum of American Art, New York; Hammer Museum Los Angeles; Yale University Art Gallery, New Haven; and Kadist Foundation.
Mary Reid Kelley lives and works in Olivebridge, upstate New York.
Studio Voltaire has been supporting artists for over twenty years, through our renowned programme of exhibitions, performances, events and education projects as well as providing affordable studios.
We have gained a reputation for championing both emerging and underrepresented artistic practices, often at key stage in the artist’s career. These have included Marvin Gaye Chetwynd, Phyllida Barlow, Ruth Ewan, Elizabeth Price, Jo Spence, Joanne Tatham & Tom O’Sullivan, Richard Slee and Cathy Wilkes.
The gallery also provides an important UK platform for international artists, often providing them their first-ever presentation in the UK. These have included Nairy Baghramian, Thea Djordjadze, Nicole Eisenman, Judith Hopf, Paulina Olowska and Henrik Olesen.