Untitled, 2019/2024

Brice’s practice concentrates on emotive and evocative portraiture. She references art history, images of women in the media and photographs she has taken herself. For this unique work, Brice has painted directly onto a proof from her 2019 screenprint edition for House of Voltaire, expanding the scene. The original edition depicted only the figure on the left, leant against a table with head turned towards us, the audience. In reworking the image, Brice contextualises the surrounding environment by introducing a second figure in the background, gazing at the model and loosely clutching a painter's palette and brushes.