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She’s too much for my mirror, 1979/2008
Digital print and unique collage element
31.4 x 31.3 cm
Edition 37 of 50
Signed and numbered by the artist
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About the edition
We have released a very special selection of previously sold out editions from the House of Voltaire archive. With exclusive works from several international artists, this is the very final time that these editions will be available to purchase. Studio Voltaire is a registered arts and education charity with all sales directly supporting our exhibition, learning and studio programmes.
This edition revisits a work the artist produced for Factory Records in 1978 and included a unique collage element added by the artist. The edition has been collected by Tate Collection and New Art Gallery Walsall
About the artist
Linder (b.1954, Liverpool, UK) is a British artist who is internationally renowned for her photomontages, performances, and radical feminism.
Linder’s production from the 1970s demonstrates her early interest in gender performativity and the commodification of the body. During this time, she created the iconic cover for the Buzzcocks’ single Orgasm Addict, a photomontage of a female nude whose head has been replaced with a hand-held iron. Linder combines imagery that portrays women’s sexuality and domesticity to openly criticize conventional female roles and representation. She culls these materials from contemporary and vintage hardcore pornography publications, large-scale calendars showing idyllic English gardens, as well as automobile, culinary, and fashion magazines.
Linder’s work has been exhibited widely, including recent solo exhibitions at Kettle’s Yard, Cambridge, UK (2020); Chatsworth House, Derbyshire, UK (2018); Nottingham Contemporary, Nottingham, UK (2018); Art On The Underground, London, UK (2018); Glasgow Women's Library, Glasgow, Scotland (2018); Blum & Poe, Los Angeles, CA (2013); Tate St. Ives, Cornwall, UK (2013); Baltic Centre for Contemporary Art, Gateshead, UK (2007); and MoMA PS1, New York, NY (2007). In 2021, Linder was included in the Liverpool Biennial, Liverpool, UK. Femme/object, her comprehensive retrospective, traveled from the Musée d'Art Moderne de la Ville de Paris, France to the Kestnergesellschaft, Hannover, Germany (2013).
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