"Strippergram" by Beryl Cook, 2001 features a woman with a blue bonnet, taking of a matching blue coat to reveal her lingerie. She bears red heels on her feet and is speaking to a few gentlemen smoking cigarettes. Onlookers behind her view this interaction from the bar.

Beryl Cook

Strippergram, 2001

£795

A lifetime, limited edition silkscreen print, signed and numbered by the artist.

Dimensions

72.5 x 67 cm

Finishing

Screenprint on paper

Artist's Proof, signed and numbered XVIII / LX (18 of 60) by the artist

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    A signed closeup of "Strippergram" by Beryl Cook, 2001.

    Courtesy the artist's estate

    About The Artwork

    The Dolphin in Plymouth features in several of Beryl Cook's paintings as one of her local pubs. As the artist recalls "this group of men was standing together in front of our table in the Dolphin one evening when they were joined by a fat little lady in a blue coat. Singling out the birthday boy she suddenly peeled off the coat, revealing this slightly grubby corset and black lace knickers. Open mouthed, we watched as he was made to kneel and have his head massaged by her now-naked bosom. I'm not sure what he thought abut his birthday present; I was hastily sketching the incident inside my handbag."

    About Beryl Cook

    Beryl Cook (1926–2008) was one of Britain’s best-loved artists. A self-taught painter, Cook is renowned for her exuberant style and explorations of English cultural identity and everyday life. Portrayed with defiance, her work can be understood as engaging with ideas around ‘female camp’, class and pleasure. Additionally, they can be contextualised within contemporary body positivity movements. Her larger-sized, usually jovial characters celebrate bigger bodies and inclusivity.

    Cook's most celebrated and enduring images are of larger-than-life women carousing in nightclubs, eating in cafés or enjoying ribald hen parties. Though the women in Cook’s works embody comedic or bawdy qualities, they command the space of her paintings in complex, vivid and entirely believable portraits that draw from keenly observed social interactions.

    Today, her works are held in the collections of the Gallery of Modern Art in Glasgow, the Bristol City Museum of Art Gallery, and the Plymouth City Art Gallery, among others. The artist has received retrospective exhibitions at Baltic Centre of Contemporary Art, Gateshead (2007); Plymouth City Art Gallery, Plymouth (2017); and A.H.F.T.A.W, New York (2022).