The limited edition Giclée print, titled "Self, 1994/2024", showcases a cubist-style painting from the House of Voltaire. It depicts a nude individual with an exaggerated muscular frame sitting on the edge of a bathtub in a tiled-wall bathroom. The person is adjusting something on their wrist while the background features a sink and faucet.

Caroline Coon

Self, 1994/2024

£250

A limited edition Giclée print, signed and numbered by the artist. Exclusive to House of Voltaire

Edition Size

30

Dimensions

59.5 x 42 cm

Finishing

Giclée on Somerset Satin

The price of the edition increases as it sells out

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    Introducing "Self, 1994/2024", a limited edition giclée print of a coloured drawing. This exquisite piece features a topless individual with short blonde hair, red lipstick, and blush, adorned with a red bow on their head against a grey and black background. The House of Voltaire artwork boasts a soft texture and painterly style.
    A close-up of a corner section of House of Voltaire's limited edition artwork, titled "Self, 1994/2024," shows dark, textured shading on paper. Below the artwork, on a white border, there is handwritten text in pencil that reads "soon 2024." This piece is part of House of Voltaire's exclusive Giclée print collection.

    Between Parades, 1985, Courtesy the artist and Stephen Friedman Gallery

    About The Artwork

    Caroline Coon is a London based artist whose work radically challenges traditional depictions of women’s bodies and the male gaze. A lifelong political activist, Coon reframes her subjects from a feminist perspective, weaving narratives that are both honest and provocative. On ‘Self’ Coon says “To me a bathroom is a happy place of escape, both ordinary and intimate, where we can have time to wash away the cares of the world. When I was making this chalk drawing I was thinking of soapy foam bubbles and my favourite perfume.”

    About Caroline Coon

    Inspired by feminism and the politics of sexual liberation, Caroline Coon’s unique paintings contest binary notions of gender and oppressive patriarchal values. Her distinctive style is characterised by crisp-edged lines, bright colours and hyperrealism redolent of Paul Cadmus and Tamara de Lempicka.

     A trailblazer of London’s counterculture, Coon has campaigned for women’s rights since the 1960s; co-founded Release in 1967, a legal-advice agency for young people charged with the possession of drugs that continues today; and was central to the city’s nascent punk scene, managing The Clash from 1978 to 1980. In the spirit of her activism, Coon’s art breaks down social taboos and in turn challenges ideas of what a female artist should be.

     In 2018, at the age of 73, Coon had her first ever solo show at The Gallery Liverpool titled: ‘The Great Offender'. This was followed by solo exhibitions at TRAMPS in London (2019) curated by Peter Doig and Parinaz Magadassi and at Stephen Friedman Gallery, London (2022). Her work featured in the group exhibition ‘Mixing It Up: Painting Today’ at the Hayward Gallery, London (2021) and is also highlighted in ‘Women in Revolt!', currently touring from Tate Britain, London (2023). Two paintings by Coon were recently added to Tate’s permanent collection.