![Introducing the 100% Silk Square Scarf by Custom Silk Haus: a limited edition accessory designed by France-Lise McGurn. This vibrant scarf features an abstract, colorful line drawing of multiple human figures and faces, loosely sketched in lively shades of green, orange, pink, and blue. Using sustainable fabric printing techniques ensures the edges bordered in orange remain vivid and striking.](https://cdn.shopify.com/s/files/1/0688/5359/products/03.03.23---hov0544_750x600_crop_center.jpg?v=1678204294)
![Introducing the 100% Silk Square Scarf by Custom Silk Haus: a limited edition accessory designed by France-Lise McGurn. This vibrant scarf features an abstract, colorful line drawing of multiple human figures and faces, loosely sketched in lively shades of green, orange, pink, and blue. Using sustainable fabric printing techniques ensures the edges bordered in orange remain vivid and striking.](https://cdn.shopify.com/s/files/1/0688/5359/products/03.03.23---hov0544_750x600_crop_center.jpg?v=1678204294)
France-Lise McGurn
100% Silk Square Scarf
£295
A limited edition silk scarf by France-Lise McGurn. All scarves are produced by a London-based textile printing company with over twenty years of experience in sustainable fabric printing.
Edition Size
50
Dimensions
100 x 100 cm
Finishing
18mm silk twill double-sided printing with hand-rolled hems
About The Artwork
Exclusive to House of Voltaire, this limited edition silk scarf by France-Lise McGurn is made-to-order. The 18mm silk twill scarf has a double-sided print and hand-rolled hems and is produced in London by master fabric printing experts. The double-sided printed technique achieves a design-rich finish, showcasing the design on both sides of the scarf square. The atmospheric practice of France-Lise McGurn transports the viewer from the public realm of a museum or gallery into the most personal quarters of the artist’s life: her studio, her bedroom, her mind and musings. McGurn’s figurative practice delivers a wholly immersive experience, launching the viewer into a three-dimensional world of the intimate and relatable. The figures that occupy McGurn’s world belong to her imagination. These archetypal characters, often portrayed in a state of undress, whether in groups, in pairs or alone, recline in both ecstasy and agony. At times, they appear bare and exposed huddled in tense tableaux, seemingly withdrawn in defence. Elsewhere, McGurn’s characters are languid, bathed in an air of euphoria.