Photograph of 'Untitled, 2019/2024 by Lisa Brice. The artwork depicts two female figures in blue and white — one standing in the background holding a paint palette and brushes, the other leaning against a table, their head turned towards the viewer, a blue bottle is placed on a table in front of the background figure.

Lisa Brice

Untitled, 2019/2024

Price on enquiry

A unique framed screen print by Lisa Brice with hand-painted elements. Signed by the artist.

Edition Size

Unique

Dimensions

42 x 29.7 cm

Finishing

Screenprint with hand-painted gouache and pencil crayon, in a museum grade frame

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Photograph of 'Untitled, 2019/2024 by Lisa Brice in a white frame, hung on a dark green wall. The artwork depicts two female figures in blue and white — one standing in the background holding a paint palette and brushes, the other leaning against a table, their head turned towards the viewer, a blue bottle is placed on a table in front of the background figure.

About The Artwork

Brice’s practice concentrates on emotive and evocative portraiture. She references art history, images of women in the media and photographs she has taken herself. For this unique work, Brice has painted directly onto a proof from her 2019 screenprint edition for House of Voltaire, expanding the scene. The original edition depicted only the figure on the left, leant against a table with head turned towards us, the audience. In reworking the image, Brice contextualises the surrounding environment by introducing a second figure in the background, gazing at the model and loosely clutching a painter's palette and brushes.

About Lisa Brice

Lisa Brice (b. 1968, Cape Town, South Africa) graduated from Michaelis School of Fine Art, University of Cape Town in 1990. Best known for her arresting representations of the female nude, Brice recontextualises and reclaims the pervasive and objectifying art historical visualisations of the female body in her art. Primarily working in painting and drawing, Brice’s visual lexicon often draws parallels with the portrayals of traditionally lauded male artists – ranging from Degas, Manet, Vallotton and Picasso – transposing their figures with an aura of individuality and self-assurance, even sensual provocation. Variously depicted in interior or studio settings, her muses often appear as both painter and model invoking a subtle, yet potent narrative transition from subject to author.  Similarly, their props, including cigarettes, paint brushes, mirrors and easels act as recurring motifs that either amplify gesture or obscure, elucidating a psychologically charged and nuanced view of feminine agency. Brice lives and works in London and is Represented by Sadie Coles HQ.